Meyerhold and the Performa Teatro: an aesthetic project for the contemporaneity
DOI:
https://doi.org/10.11606/issn.2317-4765.rus.2022.195402Keywords:
Meyerhold, Russian theater, Contemporaneity, Performa teatroAbstract
The aim of this essay is to verify how the Performa Teatro, founded and directed by the researcher, actor and theater director Matteo Bonfitto, constitutes an emblematic case in the current brazilian scene of expansion of the virtualities of Meyerholdian aesthetics and scenic poetics in our contemporaneity.
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References
FEVRALSKI, A. V. E. Meyerhold, Státi, písma, retchi, bessedi (Artigos, cartas, Discursos, Conversas). V. I (1891-1917). Moskva: Iskustvo, 1968, .
FEVRALSKI, A. V. E. Meyerhold, Státi, písma, retchi, bessedi (Artigos, cartas, Discursos, Conversas). V. II (1917-1939). Moskva: Iskustvo, 1968.
CAVALIERE, A. O Inspetor Geral de Gógol/Meyerhold – um espetáculo síntese. São Paulo: Editora Perspectiva, 1996.
FERAL, J. “Por uma poética da performatividade: o teatro performativo”, Revista Sala Preta, São Paulo, 2009.
BONFITTO, M. “O ator pós-dramático: um catalisador de aporias?”. In: GUINSBURG, J.; FERNANDES, S. (orgs). O Pós-Dramático. São Paulo: Perspectiva, 2009.
BONFITTO, M. O Ator Compositor. São Paulo: Editora Perspectiva, 2002; 2009.
BONFITTO, M. A Cinética do Invisível. São Paulo: Editora Perspectiva, 2009.
BONFITTO, M. Entre o Ator e o Performer. São Paulo: Editora Perspectiva, 2013.
PICON-VALLIN, B. A arte do teatro: entre tradição e vanguarda-Meyerhold e a cena contemporânea (org.Fátima Saadi). Rio de Janeiro: Ed. Teatro do Pequeno Gesto/ Fundação Casa Rui Barbosa, 2006.
PICON-VALLIN, B. Meyerhold. São Paulo: Editora Perspectiva, 2013.
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