Plekhánov e a crítica estética marxista: entre a intenção e o gesto

Authors

  • Rodrigo Alves do Nascimento Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas

DOI:

https://doi.org/10.11606/issn.2317-4765.rus.2014.88704

Keywords:

Georgi Plekhanov, Aesthetic theory, Art and social life

Abstract

If one wants to understand the history of Marxism in Russia, Georgi Plekhanov is an important and underrated thinker. Besides the introduction of classical texts by Marx in that country, Plekhanov was also responsible for the political guidelines that lead the organized workers‟ movement up until 1914 and the author of several innovative essays on Marxism and aesthetics. This paper will discuss this last aspect of Plekhanov‟s work, with emphasis to his essay “Art and Social Life”, from 1912. I will discuss Plekhanov‟s formulations and the contradictions of a restrictive method, which did not prevent him from making important contributions to the understanding of the specificities of the aesthetic realm. In a dialogue with the bielinskian tradition, Plekhanov explored and started the debates of a Marxist aesthetic theory, an area of Marxism then unexplored.

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Author Biography

  • Rodrigo Alves do Nascimento, Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas
    Mestre em Literatura e Cultura Russa pela Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo (FFLCH-USP). Realizou pesquisa com bolsa Fapesp em torno das encenações e da crítica da dramaturgia de Anton Tchékhov no Brasil.

Published

2014-06-22

Issue

Section

Artigos

How to Cite

Nascimento, R. A. do. (2014). Plekhánov e a crítica estética marxista: entre a intenção e o gesto. RUS (Sao Paulo), 3(3), 85-94. https://doi.org/10.11606/issn.2317-4765.rus.2014.88704