Towards an ontology of the performing presence
DOI:
https://doi.org/10.11606/issn.2238-3867.v14i2p108-117Keywords:
Acting, Materiality, Production of presence, Theatre historyAbstract
This article discusses the ontology of the actor’s materiality. In order to do so, it outlines a survey of the Theatre History since the Hindu civilization to these days, observing that it is only in the 20th century that a paradigm shift occurs in the performing presence, when diametrically opposed practices start sharing equivalent prestige. The article also seeks the reasons for the emergence of this radical and unprecedented reconfiguration.Downloads
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