DIE HÖCHSTE EISENBAHN

a cabaret’s warning concerning the Nazi threat

Autores/as

DOI:

https://doi.org/10.11606/issn.2238-3867.v19i2p48-63

Palabras clave:

Cabaré, República de Weimar, Nazismo

Resumen

Cabaret is a theatrical genre that was born in France of experimental nature, as a search for new ways to comment and satirize its own period. The cabaret created in Berlin during the Weimar Republic served to comment on the political tensions which flooded the new republic and paved the way to the ascension of Adolph Hitler. The purpose of this papel is to present how the text Die Höchste Eisenbahn, written by Friedrich Hollander, was created as a warning concerning the Nazi threat.

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Biografía del autor/a

  • Lívia Sudare, Universidade Federal do Paraná

    Professora do curso de Produção Cênica da Universidade Federal do Paraná (UFPR) Doutora em Teatro pelo Programa de Pós Graduação  em Teatro da Universidade do Estado de Santa Catarina (Udesc)

Referencias

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BERNER, C. Zur Bedeutung Friedrich Hollaenders für die Kulturszene in Berlin bis 1933. 2000. 105 f. Dissertação (Mestrado). Universität Osnabrück, Osnabrück, 2000.

DENTITH, S. Parody. London: Routledge, 2002.

LE GOFF, J. História e memória. Campinas: Ed. Unicamp, 1994.

HENIG, R. B. The Weimar Republic: 1919-1933. London: Routledge, 2002.

JELAVICH, P. Berlin cabaret. Cambridge: Harvard University. Press, 1997.

LARGE, D. Berlin. New York: Basic Books, 2007. E-book.

LEE, S. J. The Weimar Republic. London: Routledge, 2010.

MÜHE, D. Die Geschichte des Berliner Kabaretts vor und nach dem ersten Weltkrieg: Friedrich Hollaender zwischen Amüsierbrettl und politischem Kabarett. Berlin: GRIN Verlag, 2013. E-book.

RICHIE, A. Faust’s Metropolis: a history of Berlin. London: William Collins, 2013. E-book.

TIGGES, W. An anatomy of literary nonsense. Amsterdam: Rodopi, 1988.

TUCHOLSKY, K.; OPITZ, C. (org.). Berlin! Berlin! Dispatches from the Weimar Republic. Chicago: Berlinica Publishing LLC, 2013. E-book.

Publicado

2019-12-20

Número

Sección

HISTÓRIAS DA CENA

Cómo citar

Sudare, L. (2019). DIE HÖCHSTE EISENBAHN: a cabaret’s warning concerning the Nazi threat. Sala Preta, 19(2), 48-63. https://doi.org/10.11606/issn.2238-3867.v19i2p48-63