Design of communication by images: from the linear perspective to destabilization of the gaze
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2013.59957Keywords:
Space-time, photography, cronophotography, Photodinamism, cinema.Abstract
Space and time in art are thought as from the processing of perceptive habits, front of the visible world, through experimentation with sequential images and radical proposals of the Vanguards, who, in the early 1900s, tried to break with the limits of space, by the inclusion of time in their work at the border between photography and cinema, exploring and intervening in perspective machines.
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Copyright (c) 2013 Neide Jallageas
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