Quando a fotografia se diz-dobra. A propósito dos Perceptos de Valéria Costa Pinto

Authors

  • Mauricio Lissovsky Universidade Federal do Rio de Janeiro

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2009.66865

Keywords:

Contemporary brazilian photography, Small perceptions, Photography theory.

Abstract

This essay focuses on Valéria Costa Pinto’s photographic “perceptos” in order to discuss how certain problems addressed by the avant-garde photographers of the 1920’s are appropriated by contemporary artists. The cinematic properties of the “perceptos” allow us to suggest na ur-topic dimension of photography – one that invites us to experience the presence and the origin of the places.

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Published

2009-06-23

Issue

Vol. 36 No. 31 (2009)

Section

Articles

License

Copyright (c) 2009 Mauricio Lissovsky

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How to Cite

Lissovsky, M. (2009). Quando a fotografia se diz-dobra. A propósito dos Perceptos de Valéria Costa Pinto. Significação: Journal of Audiovisual Culture, 36(31), 43-61. https://doi.org/10.11606/issn.2316-7114.sig.2009.66865