Descolamentos e circularidade. O original é a cópia

Authors

  • Mauricius Martins Farina Universidade Estadual de Campinas

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2009.67031

Keywords:

Visual studies, Visual arts, Semiotic, Art history.

Abstract

This work pretends to reflect on issues of visual poetics, based on certain emblematic images of the contemporary age to think, besides what they represent as signs, what they represent as objects: a temporal circularity noema. This text considers the modern transformations process, from its romantic axis to the condition of the work with the mediation, which, unable of the contact with nature and their objects, produces poetics of recodification.

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Published

2009-06-23

Issue

Vol. 36 No. 31 (2009)

Section

Articles

License

Copyright (c) 2009 Mauricius Martins Farina

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How to Cite

Descolamentos e circularidade. O original é a cópia. (2009). Significação: Journal of Audiovisual Culture, 36(31), 95-109. https://doi.org/10.11606/issn.2316-7114.sig.2009.67031