A fotografia no cinema noir: uma relação entre-imagens

Authors

  • Marcia Ortegosa Universidade de São Paulo. Escola de Comunicação e Artes

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2000.90626

Keywords:

Photograph, Cinema noir, Crossed arts, Movement, Freezing of images, Mirror

Abstract

This article is an attempt of discussing some aesthetic elements of the relationship between the photograph and the cinema noir, in three films of the gender: The lady from Shangai (1948, Orson Welles), Blade runner (1982, Ridley Scott) and The public eye (1992, Howard Franklin).

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Published

2000-11-30

Issue

No. 14 (2000)

Section

Articles

License

Copyright (c) 2000 Marcia Ortegosa

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How to Cite

A fotografia no cinema noir: uma relação entre-imagens. (2000). Significação: Journal of Audiovisual Culture, 14, 177-197. https://doi.org/10.11606/issn.2316-7114.sig.2000.90626