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Vol. 49 No. 58 (2022)
Vol. 49 No. 58 (2022)
Published:
2022-09-02
Full Issue
PDF (Portuguese)
Presentation
Apresentação
Esther Hamburger
201381
PDF (Portuguese)
XML (Portuguese)
Articles
Real and animated body in Chris the Swiss
Rafael Tassi Teixeira
190348
PDF (Portuguese)
Flashsideways: the evolution of parallel montage in Smoking/No Smoking
Fabiano Pereira de Souza, Lívia Silva de Souza
174950
PDF (Portuguese)
The music of 2001: A Space Odyssey and the sublime object of cinema
Pedro Groppo
192902
PDF (Portuguese)
XML (Portuguese)
The transformation of perception and the “shock” effect in Visual Music films: resonances in contemporary times
Rebeca Torrezani Martins Hippertt
183770
PDF (Portuguese)
XML (Portuguese)
Sixty seconds of Hitchcock: vertigo
David Gomiero Molina
188751
PDF (Portuguese)
XML (Portuguese)
360° video reporting: a study of the effect perceived in third parties
Luciellen Lima, Raul Ramalho
185159
PDF (Portuguese)
XML (Portuguese)
How catastrophes are represented by the entertainment industry
Maria da Conceição da Rocha Ferreira
187284
PDF (Portuguese)
XML (Portuguese)
The backwardness is passing through: Paulo Emílio Salles Gomes’s long wait
Victor Santos Vigneron
188599
PDF (Portuguese)
XML (Portuguese)
From experimental to essay film: passages
Francisco Elinaldo Teixeira
190928
PDF (Portuguese)
XML (Portuguese)
Reviews
Thinking about color: paths in chromatic research
Juliana Garzillo Cavalcanti
185568
PDF (Portuguese)
XML (Portuguese)
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