Lost borders: challengers from the black diasporas in Portugal and Germany to the (still) philological groundings of cultural studies
DOI:
https://doi.org/10.11606/va.v26.n1.2025.207008Keywords:
philology, afro-descendant literature, Portugal, GermanyAbstract
Despite the already at least three decades long dismissal of the conception of modern identities by post-modern and constructivist theory, as well as by postcolonial studies, literary and cultural studies still cling to philological understandings of culture grounded on their respective connection to a language and to national borders. This not only stands in contradiction with theory but is also inadequate to deal with the particular challenges given by black diasporic literature. Based on some examples from Portugal and Germany, this article points out to some of the challenges that must urgently be faced to undo the power biases that the philological perspective still creates.
Downloads
References
AGUALUSA, José Eduardo. Fronteiras Perdidas: Contos para Viajar. Lisboa: Quetzal, 2017 [1ª ed. 1999]
ANDERSON, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso, 1983.
AYDEMIR, Fatma e YAGHOOBIFARAH, Hengameh (org.). Eure Heimat ist unser Albtraum. Berlin: Ullstein, 2019.
EL-TAYEB, Fatima. European Others. Queering Ethnicity in Postnational Europe. Minneapolis: University of Minnesota Press, 201.
EPALANGA, Kalaf. Também os brancos sabem dançar. Um romance musical. Lisboa: Caminho, 2017.
GEARY, Patrick. The myth of nations. The Medieval Origins of Europe. Princeton: Princeton UP, 2002.
HALL, Stuart. The Question of Cultural Identity. In: HALL, S. et al. (Org.). Modernity and its Futures. London: Polity Press, 1992, p. 273−325.
KINDER, Katja. 20 Jahre Schwarze (Frauen) Bewegung in Deutschland. In: Heinrich Böll Stiftung Heimatkunde. Migrationspolitisches Portal (Org.). Dossier Schwarze Community in Deutschland (2006), https://heimatkunde.boell.de/2006/05/01/20-jahre-schwarze-frauen-bewegung-deutschland. Acesso em 23.09.2022.
MAALOUF, Amin. As identidades assassinas. Trad. Susana Serras Pereira. Lisboa: Difel, 2009 [1ª ed. 1998]
MARTINS, Catarina. Gegen den deutschen Spiegel schreiben. Selbstbilder schwarzer Frauen in Deutschland. In: VON HOFF, Dagmar et al (Org.). Einschnitte - Signaturen der Gewalt in textorientierten Medien. Würzburg: Könnigshausen & Neumann, 2016, p. 113-132.
MONTEIRO, Yara Nakahanda. Memórias. Aparições. Arritmias. Lisboa: Companhia das Letras, 2021.
OTOO, Sharon Dodua. Adas Raum. Frankfurt a.M.: Fischer, 2021.
RAMALHO, Maria Irene; RIBEIRO, António Sousa. Dos estudos literários aos estudos culturais?, Revista Crítica de Ciências Sociais. 52/53, 1998/1999, p.61-83.
RIBEIRO, António S. A Retórica dos Limites. Notas sobre o Conceito de Fronteira. In: SANTOS, B. S. (Org.), Globalização: Fatalidade ou Utopia?. Porto: Afrontamento, 2001, p. 463 - 488.
ROTHBERG, Michael. Multidirectional Memory: Remembering the Holocaust in the Age of Decolonization. Stanford: Stanford UP, 2009.
SAID, Edward. Culture and Imperialism. London: Vintage, 1994.
SOUSA, Mário Lúcio. Manifesto a Crioulização. Coimbra: Imprensa da Universidade de Coimbra, 2021.
Downloads
Published
Issue
Section
License
Copyright (c) 2025 Catarina Martins

This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).













