Formas e lugares da memória colonial e pós-colonial
DOI:
https://doi.org/10.11606/va.v0i17.50534Keywords:
memória, deslocamento, género literário, naçãoAbstract
O artigo discute, seguindo sempre nas entrelinhas as reflexões de Homi Bhabha em O Local da Cultura, os diversos modos de desvelamento da memória (colonial e pós-colonial) nas narrativas de Manuel Rui (O Manequim e O Piano) e de João Paulo Borges (Setentrião), mostrando como os roteiros e o deslocamento por novos lugares e espaços implicam um re-mapeamento da nação e simultaneamente um repensar de vários momentos da história. Discute-se ainda de que modo a escrita narrativa dos autores compromete os valores canônicos do romance ou do conto, dando abertura a cruzamentos de matrizes épicas e romanescas e ainda do memorialismo.
Downloads
References
Published
Issue
Section
License
Copyright (c) 2010 Ana Mafalda Leite
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
