The Harp and the Eagle: teaching Irish Poetry in Mexico

Authors

  • Mario Murgia Universidad Nacional de México

DOI:

https://doi.org/10.11606/issn.2595-8127.v26i1p153-163

Keywords:

Anthology, Spanish-speaking America, Irish Poetry, Literature, Pedagogy

Abstract

Ireland and Mexico share a long tradition of intercultural relationships. The Latin American nation has received significant influence from the mind-frames and oeuvre of Irish or Irish-descended thinkers, and authors. In the field of literature, the presence of Irish writers in Mexico has been equally relevant. A number of them are constantly referenced in middle- to higher-education institutions as paradigmatic examples of the Anglophone belles lettres. Nevertheless, and with the possible exception of Yeats, limited academic and pedagogic attention has been paid to Irish poetry, almost exclusively in English, until comparatively recent times. As of the mid-2000s, the School of Philosophy and Literature (FFyL) of the National Autonomous University of Mexico (UNAM) has witnessed a surge in academic efforts to promote the verse production of Anglo-Irish poets in the country. With the publication in 2003 of the anthology Una lengua injertada [A Grafted Tongue] and, more recently, with the establishment of the Contemporary Anglo-Irish Literature Research Project, FFyL-UNAM have inaugurated a new era for the study of (Anglo-) Irish verse in Mexico and Spanish-speaking America. This article will explore the critical and pedagogical approaches with which FFyL-UNAM have tackled the teaching of (Anglo) Irish poetry over at least one decade.

Author Biography

  • Mario Murgia, Universidad Nacional de México

    Mario Murgia is a poet, literary translator, and full professor of English, translation, and comparative literature. His interests are thematically varied and have often revolved around the relationship between literature and other artistic expressions, such as music and the performing arts. His main area of academic research is Anglophone and Hispanophone drama and poetry from the twentieth century and the Early Modern period, with a particular emphasis on English and (Colonial) Spanish poetry produced in the 16th and 17th centuries. Murgia also specialises in contemporary Anglo-Irish poetry. As Mexico’s only Miltonist, Murgia has published annotated Spanish editions of John Milton’s Maske (Comus, Axial, 2013), Areopagitica (Areopagítica, UNAM, 2009) and The Tenure of Kings and Magistrates (El título de reyes y magistrados, UNAM, 2012). He has also participated in the first-ever Mexican edition of James Joyce’s Dubliners (2015), which adds to his various Spanish translations of the poetry, drama, and prose of authors such as Barry Callaghan, Robert Graves, Edgar Allan Poe, Adrienne Rich, and Dylan Thomas, among many others. He also recently translated Antología de cuentos escoceses contemporáneos (Anthology of Contemporary Scottish Short Stories, UNAM, 2015) and is currently working on the translations of Milton’s sonnets as well as Shakespeare’s Cymbeline, Double Falsehood, and Henry VIII.

References

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Cruz Yáñez, Eva (ed.). Una lengua injertada. Poesía irlandesa del siglo XX. UNAM, 2003.

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Murgia, Mario (ed.). La hoja verde de la lengua. Poesía angloirlandesa contemporánea. Facultad de Filosofía y Letras/UNAM, 2022.

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Published

05-08-2024

Issue

Section

Voices from Latin America

How to Cite

Murgia, M. (2024). The Harp and the Eagle: teaching Irish Poetry in Mexico. ABEI Journal, 26(1), 153-163. https://doi.org/10.11606/issn.2595-8127.v26i1p153-163