The Revolution of the Sons of Housekeepers
DOI:
https://doi.org/10.11606/issn.2178-0447.ars.2025.248002Keywords:
Art Criticism in Brazil, Reparative Justice, Art and Politics, Art and Education, Afro-Brazilian ArtAbstract
This text examines the relationship between Art History in Brazil and its various forms of social erasure. The reflection is based on an initiative to compile analyses of the role of art criticism in the 1970s, gathered by Fernanda Torres and Martha Telles in their book, but is also informed by speeches delivered at the seminar organized at the Museu de Arte do Rio (MAR). The roles and limits of art criticism in the face of social urgent demands are also considered.
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References
BASBAUM, Ricardo (org.). Arte contemporânea brasileira – texturas, dicções, ficções e estratégias. Rio de Janeiro: Rios Ambiciosos, 2001.
GEIGER, Anna Bella; COCCHIARALE, Fernando. Abstracionismo geométrico e informal: a vanguarda brasileira nos anos cinquenta. Rio de Janeiro: Funarte, 1987.
JOHANNES, Fabian. O tempo e o outro: como a antropologia estabelece seu objeto. Petrópolis: Vozes, 2013.
LIMA, Diane (org.). Negros na piscina: arte contemporânea, curadoria e educação. São Paulo: Fósforo, 2024.
REZENDE, Renato (org.). Arte contemporânea brasileira 2000-2020 – agentes, redes, ativações, rupturas. São Paulo: Circuito, 2021.
TELLES, Martha; TORRES, Fernanda. O papel da crítica na formação de um pensamento contemporâneo no Brasil na década de 1970. Rio de Janeiro: Nau, 2023.
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