Audiovisual Historiography: the history of cinema written by the films

Authors

  • Luís Rocha Melo Universidade Federal de Juiz de Fora

DOI:

https://doi.org/10.11606/issn.2178-0447.ars.2016.122967

Keywords:

audiovisual historiography, Brazilian cinema, film, art.

Abstract

This article aims to present the work developed by the Audiovisual Historiography Research Group (UFJF), which focuses on the study of films that present as a theme the cinema itself. First, I present an ongoing research project entitled “Audiovisual historiography of cinema in Brazil”; then, I seek the relationships between my work as a filmmaker and the concept of audiovisual historiography; finally, I bring two case's studies, the first of them on the documentary Panorama do cinema brasileiro(Jurandyr Noronha, 1968); the second, by comparing Carnaval Atlântida(José Carlos Burle, 1953) and La dama de las camelias(José Bohr, 1947, Chile).

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Author Biography

  • Luís Rocha Melo, Universidade Federal de Juiz de Fora
    Professor Adjunto III do Curso de Cinema e Audiovisual e do Programa de Pós-Graduação em Artes, Cultura e Linguagens do Instituto de Artes e Design da UFJF, cineasta e pesquisador. É lider do Grupo de Pesquisa Historiografia Audiovisual, onde desenvolve a pesquisa "Historiografia audiovisual do cinema no Brasil", financiada pelo CNPq e pela Fapemig.

Published

2016-12-28

Issue

Section

Articles

How to Cite

Melo, L. R. (2016). Audiovisual Historiography: the history of cinema written by the films. ARS, 14(28), 221-245. https://doi.org/10.11606/issn.2178-0447.ars.2016.122967