When Life Goes to Work: Andy Warhol

Authors

  • Isabelle Graw Staatlische Hochschule für bildende Kunst (Städelschule) de Frankfurt am Main
  • Sônia Salzstein Universidade de São Paulo. Escola de Comunicações e Artes

DOI:

https://doi.org/10.11606/issn.2178-0447.ars.2017.131505

Keywords:

Andy Warhol, “celebrity culture”, contemporary art.

Abstract

The text discusses the way in which the public and private spheres collapse into one another in Warhol’s work, thus conjecturing in it the matrix of a “celebrity culture”, a phenomenon of contemporary society brought about by the biopolitic regime and the post fordist world which would be later described by such authors as Antonio Negri and Michael Hardt. While focusing mostly on Warhol’s experiments with the Factory, a studio he ran between 1963 and 1968,the author shows how the artist’s work extends itself far beyond the paintings, films and other pieces he would produce, also encompassing, and crucially, his innumerable public performances and utterances.

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Author Biographies

  • Isabelle Graw, Staatlische Hochschule für bildende Kunst (Städelschule) de Frankfurt am Main
    Fundadora e editora da revista Texte zur Kunst e professora de história da arte e teoria da arte na Staatlische Hochschule für bildende Kunst (Städelschule) de Frankfurt am Main. É também autora de High Price: Art Between the Market and Celebrity Culture (Sternberg Press, 2010)
  • Sônia Salzstein, Universidade de São Paulo. Escola de Comunicações e Artes
    Tradutora

Published

2017-04-30

Issue

Section

Translations

How to Cite

Graw, I., & Salzstein, S. (2017). When Life Goes to Work: Andy Warhol. ARS, 15(29), 244-261. https://doi.org/10.11606/issn.2178-0447.ars.2017.131505