My Bed and To Meet My Past
the bed as revelation of intimacy and narrative (re)constructions for Tracey Emin
DOI:
https://doi.org/10.11606/issn.2178-0447.ars.2019.165310Keywords:
Contemporary Art, Installation, Tracey EminAbstract
The article investigates the bed in the installations My Bed (1998) and To Meet My Past (2002) by Tracey Emin. For that purpose, we have contextualized the artist’s production and analyzed the two installations, discussing their outstanding aspects, such as the exposure of intimacy, the appropriation of the domestic imaginary and the transposition of the private sphere of life to the public space of art galleries and museums. The role of autobiography was examined, in order to understand how events in the artist’s life are incorporated in her creative and poetic processes, as well as in the reconstruction of her memories. The research methodology was based on the analysis of books, academic publications and interviews with the artist.
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