Reception as a Link between the Artwork and the World and History
DOI:
https://doi.org/10.11606/issn.2178-0447.ars.2020.166510Keywords:
Art History, Cultural Mediation, Spectators, Visual ArtsAbstract
Based on the artist’s Marcel Duchamp understanding that the public connects the artistic work with the outer world and, in doing so, contributes to its incorporation into Art History, this text seeks to outline the chain in which this reception act is inscribed. For this, it uses analysis from different fields, namely, Art, Philosophy, Semiology, Sociology, and Cultural Mediation. Mobilizing the concepts of “open work”, “art coefficient”, “aesthetic regime”, “distinction”, and “documentary mediation”, it pursues to verify both the possibilities and the limitations of a type of chain whose universality is relativized by sociocultural and class incongruities, which make the influence exercised by spectators in the directions taken by art markedly unequal.
Downloads
References
BOURDIEU, Pierre. A Distinção: crítica social do julgamento. Porto Alegre: Zouk, 2013.
DUCHAMP, Marcel. O ato criador. In BATTCOCK, Gregory (org.). A nova arte. São Paulo: Perspectiva, 1975. pp. 71-74.
ECO, Umberto. Obra Aberta – Forma e indeterminação nas poéticas contemporâneas. São Paulo: Ed. Perspectiva, 1986.
HONORATO, Cayo. Mediação como [prática documentária]. Edital de Mediação em Arte e Cidadania Cultural. Centro Cultural São Paulo, 2012. Disponível em: https://cayohonorato.weebly.com/mediaccedilatildeo-cultural.html. Acesso em: 10 dez. 2019.
HONORATO, Cayo. Tem alguém, algo aí? O público, os públicos, um público. Seminário Reconfigurações do Público: Arte, Pedagogia e Participação. Museu de Arte Moderna do Rio de Janeiro, 2013. Disponível em: https:// cayohonorato.weebly.com/uploads/8/4/7/3/8473020/2012_ ensaio_seminarioii_honorato.pdf. Acesso em: 25 nov. 2019.
MUSEU DE ARTE MODERNA DE SÃO PAULO. A marquise, o MAM e nós no meio. São Paulo: Museu de Arte Moderna de São Paulo, 2018.
RANCIÈRE, Jacques. A partilha do sensível: estética e política. São Paulo: EXO experimental org.; Ed. 34, 2005a.
RANCIÈRE, Jacques. A política da arte e seus paradoxos contemporâneos / trad. Mônica Costa Netto. Encontro Internacional Situação #3 Estética e Política, 17 a 19 de abril de 2005, São Paulo (mimeo.), 2005b.
WARNER, Michael. Públicos y contrapúblicos. Barcelona: Museu d’Art Contemporani de Barcelona; Servei de Publicacions de la Universitat Autònoma de Barcelona, 2008.
BIBLIOGRAFIA COMPLEMENTAR LAGNADO, Lisette; LAFUENTE, Pablo (org.). Cultural Anthropophagy – The 24th Bienal de São Paulo 1998 (Exhibition Histories). Londres: Afterall, Central Saint Martins – University of the Arts London, 2015.
Downloads
Published
Issue
Section
License
Copyright (c) 2020 Diogo de Moraes
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
The responsibility for obtaining written permission to use in the articles materials protected by copyright law lies entirely with the author(s). Ars is not responsible for copyright breaches made by its collaborators.
The authors have the copyrights and grant the journal the right of the first publication, with the article licensed under the Creative Commons BY-CC License.
Licensees have the right to copy, distribute, display, and carry out the work and make derivative works from it, including with commercial purposes, granted that they give the due credit to the author or licensor, as specified by them.
Licensees compromise to inform the appropriate credit, provide a link to the license, and indicate if changes were made.
Respected the terms of the license, the licensors/authors are not allowed to revoke the conditions above mentioned.
After the publication of the articles, the authors keep the copyrights and the rights to republish the text exclusively in unpublished books and collections.
