William Blake against the “Satanic Mills” of Modern Rationality

Authors

DOI:

https://doi.org/10.11606/issn.2178-0447.ars.2021.178423

Keywords:

William Blake, Early-Modernity, Rationality

Abstract

The present article brings to the fore the heavy criticism William Blake addressed to rationalism, which had extended widely and consolidated itself into the most powerful European nations by the end of the XVIII century, and the singular imagination which animates his work, its mystic and obscure dimensions and inclination to establishing a system of its own, refusing the kind of “abstract” vision of the world that Blake saw underlying the writings of some thinkers of the early modern era. At the same time, it searches to show how Blake’s work broke well established paradigms of knowledge of his time, and concludes that his work should be acknowledged as a turning point in early modern aesthetics.

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Author Biography

  • Isabela Ferreira Loures, Universidade de São Paulo. Escola de Comunicações e Artes

    Isabela Ferreira Loures é estudante de graduação do departamento de Artes Visuais da ECA-USP, com interesse e prática no campo da história e teoria da arte. Realizou, entre 2019 e 2020, iniciação científica sob orientação da Profa. Dra. Sônia Salzstein, na qual abordou a relação entre visualidade e linguagem na obra de William Blake. O presente artigo é um desdobramento dessa pesquisa.

References

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Published

2021-12-30

Issue

Section

Dialogues with Graduation

How to Cite

Loures, I. F. (2021). William Blake against the “Satanic Mills” of Modern Rationality. ARS, 19(43), 462-507. https://doi.org/10.11606/issn.2178-0447.ars.2021.178423