Reflexões sobre a formação da poética de Umberto Boccioni em "Beata solitudo - sola beatitudo"
DOI:
https://doi.org/10.1590/S1678-53202008000200010Keywords:
Umberto Boccioni, modern art, Futurism, drawingAbstract
In the year of 1908, Umberto Boccioni (1882-1916), artist of the Italian Futurism, produced a second version of the drawing "Beata solitudo - Sola beatitudo", a work which expresses the contrast between the ancient and the modern values, experienced by the artist in his first years living in Milan. This article intends to study the main aesthetical influences which have guided Boccioni in this work, one of the most important ones in his pre-futurist aesthetics, as well as to demonstrate how this work anticipates the main elements of his futurist art.Downloads
Downloads
Published
Issue
Section
License
The responsibility for obtaining written permission to use in the articles materials protected by copyright law lies entirely with the author(s). Ars is not responsible for copyright breaches made by its collaborators.
The authors have the copyrights and grant the journal the right of the first publication, with the article licensed under the Creative Commons BY-CC License.
Licensees have the right to copy, distribute, display, and carry out the work and make derivative works from it, including with commercial purposes, granted that they give the due credit to the author or licensor, as specified by them.
Licensees compromise to inform the appropriate credit, provide a link to the license, and indicate if changes were made.
Respected the terms of the license, the licensors/authors are not allowed to revoke the conditions above mentioned.
After the publication of the articles, the authors keep the copyrights and the rights to republish the text exclusively in unpublished books and collections.
