Art of documentary and art in documentary: anamorphosis and antology
DOI:
https://doi.org/10.1590/S1678-53202012000100009Keywords:
documentary, art, anamorphosis, onthologyAbstract
Intersections between art and documentary are discussed in the article through four contemporary Brazilian films subdivided into two semantic forms: documentary made by artists and documentary about artists. Based on Arthur Omar's Folia no morro (2008), Cao Guimarães' Andarilho (2007), Gustavo Rosa de Moura's Cildo (2008) and Marcos Ribeiro's A obra de arte (2009), we will treat the concepts of anamorphosis and onthology, which include "unframed" and "framed" forms of making art of documentary (or docu-art) and art in documentary (or documentary about art).Downloads
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