Pesquisa em arte por ocasião dos doutorados baseados na prática. Um estudo do caso da Universidade de Paris 1 Sorbonne
DOI:
https://doi.org/10.11606/issn.2178-0447.ars.2012.64427Keywords:
visual arts, fine arts, doctorate, artists’ writings, meta-practice methods, research, scienceAbstract
In several academic institutions raises the question of a opening on the research in master [master] and Ph.D. [doctorate] to other approaches besides the PhD’s or doctorate’s classic scientific devices. What is concerned, therefore, are the professional doctorates and those based in practice. An early example in this field was developed in the UK with practice based PhD in creative and performing arts and design [Practice-based doctorates in the Creative and Performing Arts and Design]. After this experience, the question of the nature of these doctorates, which could eventually no longer require the preparation of a written thesis to support the invented or created artifact, draws worldwide attention. This article will address these issues based on a critical approach of the doctoral system implemented at the Sorbonne since the 1970s. From the candidates’ history and the history of institutions, I will inquire the scientific and artistic devices implemented and the limitations and problems emerged. The first section is devoted to the student’s processes of axiological conditioning. The second, to their practices’s process of artification; the third is devoted to the discussion of the epistemological problems of research in art confronted with the scientific research and the problems found by doctoral students. Finally, the article discusses the tools and methods brought by the humanities and social sciences.
Downloads
Downloads
Published
Issue
Section
License
The responsibility for obtaining written permission to use in the articles materials protected by copyright law lies entirely with the author(s). Ars is not responsible for copyright breaches made by its collaborators.
The authors have the copyrights and grant the journal the right of the first publication, with the article licensed under the Creative Commons BY-CC License.
Licensees have the right to copy, distribute, display, and carry out the work and make derivative works from it, including with commercial purposes, granted that they give the due credit to the author or licensor, as specified by them.
Licensees compromise to inform the appropriate credit, provide a link to the license, and indicate if changes were made.
Respected the terms of the license, the licensors/authors are not allowed to revoke the conditions above mentioned.
After the publication of the articles, the authors keep the copyrights and the rights to republish the text exclusively in unpublished books and collections.