A mundanidade da arte

Authors

  • Luiz Sérgio Oliveira

DOI:

https://doi.org/10.11606/issn.2178-0447.ars.2012.64429

Keywords:

contemporary art, worldliness, reinvention, art system

Abstract

A significant portion of the contemporary art has articulated its production in collaboration with communities, remaining radically dependent, literally rooted in the social, political and cultural contexts in which is inserted, rejecting the concept of autonomy in favor of a process of worldliness of art. This way, the art seems to be in search of a more robust social resonance through the rejection of a process of its privatization and the rescue of its public dimension, neglected by modernism. As a result, this most ambitious spectrum of the contemporary art seems to point to the need for redefinition of the mechanisms of articulation and functioning of the whole art system – production, circulation, consumption, institutions and art criticism –, requiring a thorough check of our certainties in institutional terrain and suggesting the need for reinvention of the system itself.

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Author Biography

  • Luiz Sérgio Oliveira
    Luiz Sérgio de Oliveira é artista e Professor Associado do Departamento de Arte e do Programa de Pós-Graduação em Estudos Contemporâneos das Artes da Universidade Federal Fluminense, Niterói. Doutor em Artes Visuais (História e Teoria da Arte) pela Escola de Belas Artes da UFRJ (2006), Mestre pela Arte da Universidade de Nova York (NYU), Estados Unidos (1991) e graduado em Artes Visuais pela EBA/UFRJ (1978). Foi Pesquisador Associado da Universidade de San Diego (USD), Califórnia, Estados Unidos (2005) e é Professor Associado do Departamento de Arte e do Programa de Pós-Graduação em Estudos 
    Contemporâneos das Artes (PPGCA-UFF), Avaliador do Instituto Nacional de Estudos e Pesquisas Educacionais (INEP) e Primeiro Secretário da Associação Nacional dos Pesquisadores em Artes Plásticas (ANPAP), gestão 2011-2012. É Coordenador do Fórum dos Coordenadores do Programas de Pós-Graduação em Artes / Artes Visuais (2011-2012) e do o Programa de Pós-Graduação em Estudos Contemporâneos das Artes da UFF. Seus interesses de pesquisa no campo da reflexão e das práticas da arte giram em torno das articulações entre arte & política, arte & democracia e arte & comunidade, com ênfase na produção de arte na esfera pública.

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Published

2012-11-14

Issue

Vol. 10 No. 20 (2012)

Section

Multimedia

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How to Cite

Oliveira, L. S. (2012). A mundanidade da arte. ARS, 10(20), 132-143. https://doi.org/10.11606/issn.2178-0447.ars.2012.64429