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Vol. 15 No. 29 (2017)
Vol. 15 No. 29 (2017)
Published:
2017-04-30
Full Issue
PDF (Portuguese)
Visual essays
Ensaio visual
Mabe Bethônico
8-27
PDF (Portuguese)
Articles
Interview with Giuseppe Penone
Marina Câmara, João Guilherme Dayrell
28-43
PDF (Portuguese)
Reflections of Philip Johnson’s Glass House, architect, or Mauro Restiffe’s work process, photographer
Agnaldo Farias
44-61
PDF (Portuguese)
Tino Sehgal, site-specifics performances and Institutions of Art
Emerson Dionisio Gomes de Oliveira
62-77
PDF (Portuguese)
Cubism as method
Rosa Gabriella de Castro Gonçalves
78-99
PDF (Portuguese)
Mario Sironi nas chamadas Coleções Matarazzo do MAC USP
Andrea Augusto Ronqui
100-121
PDF (Portuguese)
Modern melancholy: Sergio Rodrigues' forgotten furniture
Marcelo Mari
122-145
PDF (Portuguese)
Japanese visual culture: the intersection between art and graphic design
Flavio Almeida
146-173
PDF (Portuguese)
The relationship between criticism and artistic production in the formation of a contemporary art critical thinking in Brazil in the 70's
Martha Telles Machado, Fernanda Torres
174-199
PDF (Portuguese)
Ceaseless interruptions: the tear of the form in Cent mille milliards de poèmes, by Raymond Queneau, Tom, Tom, the Piper’s son, by Ken Jacobs, and Patterns, by Gerhard Richter
Alexandre Rodrigues da Costa
200-215
PDF (Portuguese)
The stars dictate the future. History imposes on the present. (Artaud vs. Cárdenas)
Silviano Santiago
2016-229
PDF (Portuguese)
Translations
When Life Goes to Work: Andy Warhol
Isabelle Graw, Sônia Salzstein
244-261
PDF (Portuguese)
RESENHA
Ricardo Lísias A vista particular
Pedro Meira Monteiro
230-237
PDF (Portuguese)
Medicated and satisfied
Ricardo Lisias
238-243
PDF (Portuguese)
ESCRITOS DE ARTISTAS
Marcel Duchamp – Notes of The 1914 Box
Wallace Vieira Masuko
262-295
PDF (Portuguese)
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