El tráfico en las fotografías
DOI:
https://doi.org/10.11606/issn.2178-0447.ars.2024.207005Palabras clave:
Fotografía, Cultura visual, Allan Sekula, Fotografía como lenguaje universal, CríticaResumen
Escrito en la etapa inicial de la carrera del artista y investigador estadounidense Allan Sekula, El tráfico en las fotografías (1981) es un ensayo que investiga y cuestiona la noción de lenguaje universal atribuida a la fotografía. Utilizando un enfoque materialista-histórico, el autor analiza la función política desempeñada por los discursos estéticos y científicos vinculados al medio fotográfico, dentro de los cuales la noción de universalidad cumple una función de dominación cultural y económica que tiene como fundamentos ideológicos la familia nuclear patriarcal, la lógica de consumo capitalista y el imperialismo.
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