Roland Barthes and François Laruelle on the Essence of Photography
DOI:
https://doi.org/10.11606/issn.2178-0447.ars.2025.216769Keywords:
Roland Barthes, François Laruelle, Photography, Photo, AestheticsAbstract
This study aims at a non-standard stance on the Art and Science of Photography. The first section on François Laruelle draws on the critique of philosophical makings as the technique of Photography, a relation figured as the photocentric destiny of Western thought. The second section investigates the nature of Photography as research in Roland Barthes’ silver-salt ontology and effects. From the common ground of a Non-Standard Photography, this study eventually assesses similarities and differences between the approaches of François Laruelle and Roland Barthes toward a Photography of another kin and kind.
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