Hermeneutics as a holistic proposal in image studies
DOI:
https://doi.org/10.1590/S1678-53202011000200002Keywords:
Hermeneutics, Art History, MethodologyAbstract
This essay discusses the relevance of the phenomenological and hermeneutical theories of Heidgger and Gadamer in Art History and Image studies. Some concepts of these theories might be used as a key to a new understanding of the role of the historian as interpreter. The aim of this essay is to propose the possibility of a hermeneutical approach as a holistic methodology of Art History studies.Downloads
Downloads
Published
Issue
Section
License
The responsibility for obtaining written permission to use in the articles materials protected by copyright law lies entirely with the author(s). Ars is not responsible for copyright breaches made by its collaborators.
The authors have the copyrights and grant the journal the right of the first publication, with the article licensed under the Creative Commons BY-CC License.
Licensees have the right to copy, distribute, display, and carry out the work and make derivative works from it, including with commercial purposes, granted that they give the due credit to the author or licensor, as specified by them.
Licensees compromise to inform the appropriate credit, provide a link to the license, and indicate if changes were made.
Respected the terms of the license, the licensors/authors are not allowed to revoke the conditions above mentioned.
After the publication of the articles, the authors keep the copyrights and the rights to republish the text exclusively in unpublished books and collections.
