(Un)weaving the threads of a research between theater, philosophy and poetry

Abstract

This article shares the research paths I have been developing as a master of Arts of the Scene at Escola de Belas-Artes, in Federal University of Minas Gerais, revealing the backstage of the process. My project is to elaborate a textual scenic disassembly based on an authoring creation that already exists and that connects with the poetics of Manoel de Barros. The writing of the dissertation will be based on the phenomenological analysis of the dramaturgy already conceived, on the written productions generated during the master’s degree, as on the Research Diary, made during the orientation process in conversation with readings on poetry, philosophy and theater. The dissertation may lead to reflections on a creative practice that mixes literature and scenic discursiveness, as well as contributing to the creation of contemporary scenic works that thematize childhood.