Vol. 12 No. 23 (2020): O fingimento na dramaturgia

Editorial

• O dramaturgo é um fingidor, finge tão completamente que...

  Flavia Maria Corradin, Carlos Gontijo Rosa, Rosely de Fátima Silva, Mônica Muniz de Souza Simas, Paola Poma

  14-24

  • PDF (Portuguese)

Dossiê

• Individual and narrators in "O Judeu" ["The Jew"] and "Português, escritor, quarenta e cinco anos de idade" ["Portuguese, writer, forty five years old"] by Bernardo Santareno

  Elsa Rita dos Santos

  25-40

  • PDF (Portuguese)

• The Doris' men: Bernardo Santareno and the act of making the sea a text to produce, to make sense

  Rosemary Conceição dos Santos, José Aparecido Da Silva

  41-62

  • PDF (Portuguese)

• Feminist perspectives on the persecution of witchcraft in Bernardo Santareno's "O crime de Aldeia Velha"

  Robin Driver

  63-79

  • PDF (Portuguese)

• An axis of Bernardo Santareno to the critical margin: "Confession" (1945) and memories of the Cuban story of the "A traição do Padre Martinho" (1969)

  Susana Moura

  80-98

  • PDF (Portuguese)

• Psychology and Psychiatry in Bernardo Santareno: observe to tell; narrating to treat

  José Aparecido Da Silva, Rosemary Conceição dos Santos

  99-116

  • PDF (Portuguese)

• The priest and the knight’s martyrdom: perspectives on “dying for one’s faith” in Gil Vicente and in José de Anchieta

  Marina Gialluca Domene

  117-132

  • PDF (Portuguese)

• Pretending and Baroque: the developments of identity in "Anfitrião ou Júpiter e Alcmena", by Antônio José da Silva

  Eduardo Neves Silva

  133-155

  • PDF (Portuguese)

• O marinheiro: “Sailing is necessary, living is not necessary”

  Francisco Maciel Silveira

  156-165

  • PDF (Portuguese)

• A car, burnt-out, on the roadside: the experiment of a theatre writing laboratory

  Rui Pina Coelho

  166-184

  • PDF (Portuguese)

Vária

• For a long time, we used to go to bed early: Proust, Barthes and Mário Cláudio against Sainte-Beuve

  Gustavo Listo Pereira

  185-202

  • PDF (Portuguese)

Entrevistas

• Cabaré da Santa: um projeto teatral luso-brasileiro, com Dagoberto Feliz e Jorge Louraço Figueira

  Helderson Mariani

  272-290

  • PDF (Portuguese)

Outros Desassossegos

• CORPO PULSAR

  Adriana Andrade Alves

  203-204

  • PDF (Portuguese)

• Álbum de fotografia

  Francisco Neto Pereira Pinto

  205-208

  • PDF (Portuguese)

• Fingimentos dramáticos, em cinco cenas e sem final...

  Edson Santos Silva

  209-212

  • PDF (Portuguese)

• Cabaré da Santa

  Reinaldo Maia, Jorge Louraço Figueira, Helderson Mariani Pires

  213-271

  • PDF (Portuguese)

• Expediente

  • PDF (Portuguese)