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Vol. 17 No. 3 (2021): Thematic issue - Semiotics, music and song

View Vol. 17 No. 3 (2021): Thematic issue - Semiotics, music and song

Guest editors: Lucas Takeo Shimoda (USP) and Cleyton Vieira Fernandes (UFCA)

Published: 2021-12-20

Editorial

Semiotics of music and song: perspectives, counterpoints, and textures

Lucas Takeo Shimoda, Cleyton Vieira Fernandes

i-vii
- PDF (Portuguese)

Teoria, epistemologia e metodologia

The rhythm that comes from the syllables

Luiz Tatit

1-18
- PDF (Portuguese)
Semiotics of song: lyrics, music, and performance

Antonio Vicente Pietroforte

19-41
- PDF (Portuguese)
Transcription, notation and analysis of the sung lyrics

José Roberto do Carmo Junior

42-65
- PDF (Portuguese)
The diction of the songwriter: concept’s path

Zeno Queiroz

66-82
- PDF (Portuguese)
Translation and intermediality in the interpretation of Art Songs

Mônica Pedrosa de Pádua

83-103
- PDF (Portuguese)
The making of a semiotician according to Luiz Tatit

Carolina Lindenberg Lemos

104-114
- PDF (Portuguese)

Objetos e práxis

States of mind, tensive effects and ways of harmonizing melody and lyrics in three songs by Chico Buarque

José Américo Bezerra Saraiva, Ricardo Lopes Leite

115-130
- PDF (Portuguese)
Synesthetic polysensoriality as guarantor of the enunciative relationship: semiotic analysis of making-feel in "Tropicana"

Paulo Jefferson Pereira Barreto

131-149
- PDF (Portuguese)
Piaf-like: the performance of "Je ne regrette rien" in some nomadic versions by Brazilian singers

Nancy Alves, Heloísa de Araújo Duarte Valente

150-175
- PDF (Portuguese)
The discursive ethos in the "Milagre da Vela" moda de viola

Cristiane da Silva Ferreira, Anderson Ferreira

176-197
- PDF (Portuguese)
Parodistical and stylistic transpositions in the re-recording of brega songs

Vinicius Façanha, Artur da Silva Barbosa

198-214
- PDF (Portuguese)
Luiz Tatit: art and theory

Marisa Yamashiro

215-232
- PDF (Portuguese)
Band in a Girl: becoming-woman in Brazilian indie rock's timbres

Marcelo Bergamin Conter, Juliana Henriques Kolmar, Ingrid Cristina Pontes Luz, Gabriel Fagundes Gularte

233-249
- PDF (Portuguese)

Novas propostas e fronteiras

Schenker’s musical gerativism and its application to song analysis: Homologies between superficial, intermediate and deep musical structures and categories of contente in “Trocando em Miúdos”, by Francis Hime and Chico Buarque de Holanda

Ricardo Nogueira de Castro Monteiro

250-277
- PDF (Portuguese)
Musical language and writing: about the relevance of a non-verbal semiotics

Cleyton Vieira Fernandes

278-290
- PDF (Portuguese)
The unexpected in the expected wait: relations between music, escaping, fracture and cinema based on Greimasian semiotics

Caio Menezes Graça de Carvalho

291-305
- PDF (Portuguese)
Reflections on the space of song in the national parameterizing documents for elementary school

Tayná Miranda de Andrade, Marcos Antonio Rocha Baltar, Laura Miranda de Castro

306-325
- PDF (Portuguese)
Music performance as a research object

Caio Victor de Oliveira Lemos

326-346
- PDF (Portuguese)
A semiotic approach to albums: homogeneity and heterogeneity in Canções praieiras and Tropicália ou panis et circencis

Matheus Henrique Mafra

347-369
- PDF (Portuguese)