Seismology of worlds in performance

Authors

  • John C. Dawsey Universidade de São Paulo. Núcleo de Antropologia, Performance e Drama. Núcleo de Artes Afro-Brasileiras da USP
  • Pâmilla Vilas Boas Costa Ribeiro Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas
  • André-Kees de Moraes Schouten Núcleo de Antropologia, Performance e Drama

DOI:

https://doi.org/10.11606/issn.2525-3123.gis.2023.213244

Keywords:

Worlds in performance, Seismology of performance, Performative turn, Anthropology and performance, Napedra

Abstract

This article presents the dossier “Worlds in Performance”, an outcome of the event “Seismology of Performance: 20 years Napedra”, which took place in 2021. Attention is directed to the “performative turn” and its seismic effects on anthropology and other fields of research. Horizons of knowledge expand, subverting notions of space, and imploding conceptions of time. The fragile and ephemeral, yet potentially powerful and explosive dimensions of bodily action spark the anthropological imagination. From bodily senses worlds of sense in friction are created. In performance, worlds are formed and disappear. Whirlpools of performance show traces of worlds yet to be. In Brazil, effects of this “performative turn” are revealed in the creation of Napedra – The Research Center in Anthropology, Performance, and Drama, and of other leading groups in anthropology and performance. They are also revealed in this dossier, which explores some of the whirlpools of worlds in performance.

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Author Biographies

  • John C. Dawsey, Universidade de São Paulo. Núcleo de Antropologia, Performance e Drama. Núcleo de Artes Afro-Brasileiras da USP

    John Cowart Dawsey is professor of Anthropology at the University of São Paulo (USP). He has been coordinator of the Nucleus of Anthropology, Performance and Drama (Napedra) since its creation in 2001, and since 2007 he has been teaching support at the Nucleus of Afro-Brazilian Arts at USP (directed by Luiz Antônio Nascimento Cardoso, Mestre Pinguim ). He holds a Master of Theology and a Doctor of Anthropology degree from Emory University. E-mail: johndaws@usp.br

  • Pâmilla Vilas Boas Costa Ribeiro, Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas

    Pâmilla Vilas Boas Costa Ribeiro is a doctoral student in anthropology at Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo (FFLCH/USP) \and Master in Social Anthropology from the Universidade Federal de Minas Gerais (FAFICH/UFMG). She is a member of the Nucleus of Anthropology, Performance and Drama (Napedra) and co-director of the documentary “A vida é um remanso”. E-mail: pamillaribeiro@usp.br

  • André-Kees de Moraes Schouten, Núcleo de Antropologia, Performance e Drama

    André-Kees de Moraes Schouten is a social scientist, anthropologist, psychoanalyst in training and author of the book Peregrinos do sertão profundo: uma etnografia da música de Elomar Figueira Mello (2010). Member of the Nucleus of Anthropology, Performance and Drama (Napedra/USP). Email: andre.kees@gmail.com

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Published

2023-09-01

Issue

Section

Dossier Worlds in Performance: 20 Years Napedra

How to Cite

Dawsey, John C., Pâmilla Vilas Boas Costa Ribeiro, and André-Kees de Moraes Schouten. 2023. “Seismology of Worlds in Performance”. GIS - Gesture, Image and Sound - Anthropology Journal 8 (1): e213244 . https://doi.org/10.11606/issn.2525-3123.gis.2023.213244.