Pier Paolo Pasolini´s theater: the anti-Oedipus and the transvestitism of the classical myth

Authors

  • Vilma de Katinszky Barreto de Souza Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas, Departamento de Letras Modernas

DOI:

https://doi.org/10.11606/issn.2238-8281.v1i1p61-73

Keywords:

Modern theater tragedy, the anti-Oedipus, Transvestitism-parody, Myth and mistery

Abstract

Reflexion on existence and the "corrosion" of tragedy as a dramatic genre of twentieth century. Denunciation of bourgeoisie as middle-class through its scandals of life like "common cases or facts". Satyric function and serious treatment of transvestistim in the modern theater. The Pasolini´s Affabulazione analysis allow to see how the author retakes one of the oedipian themes that we could call the "anti-Oedipus"

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Author Biography

  • Vilma de Katinszky Barreto de Souza, Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas, Departamento de Letras Modernas
    Professora de literatura italiana junto ao Departamento de Letras Modernas da Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo

References

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Published

1993-12-30

Issue

Vol. 1 No. 1 (1993)

Section

Articles

License

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How to Cite

Souza, V. de K. B. de. (1993). Pier Paolo Pasolini´s theater: the anti-Oedipus and the transvestitism of the classical myth. Revista De Italianística, 1(1), 61-73. https://doi.org/10.11606/issn.2238-8281.v1i1p61-73