Poetry as erasure in Carlfriedrich Claus and Ana Hatherly
DOI:
https://doi.org/10.11606/1982-8837213336Schlagwörter:
Experimental Poetry, Concrete Poetry, Visual Poetry, Poetry Criticism, Theory of Poetry.Abstract
Carlfriedrich Claus and Ana Hatherly visual works are outside what is conventionally named poetry. A poetry without words remains impossible for the defenders of writing as a logocentric practice. Therefore, the authors studied here invite a deviant reading of the contemporary poetry. They assume contemporary poetry tends toward iconicity and even the complete illegibility as a way of aesthetically apprehending the chaotic world. Since they neither follow the same rules of the traditional lyric, nor can they be read from those regulating principles, these poets deliberately obliterate texts implicate an unequivocal transformation of the creative and reading methods, notwithstanding the resistance from some lines of criticism.Downloads
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2017-11-23
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A Pandaemonium Germanicum adota a política de acesso aberto, conforme a licença BY-NC da Creative Commons.
Zitationsvorschlag
AMARAL, André Luiz do. Poetry as erasure in Carlfriedrich Claus and Ana Hatherly. Pandaemonium Germanicum, São Paulo, Brasil, v. 21, n. 33, p. 36–63, 2017. DOI: 10.11606/1982-8837213336. Disponível em: https://revistas.usp.br/pg/article/view/140880.. Acesso em: 16 aug. 2024.