Da opressão à independência. A filosofia do amor em O Segundo Sexo [Autora: Manon Garcia]
“De l’oppression à l’indépendance. La philosophie de l’amour dans Le Deuxième Sexe [Autora: Manon Garcia]
DOI:
https://doi.org/10.11606/issn.2176-8099.pcso.2021.193514Keywords:
filosofia do amorAbstract
In this essay, Manon Garcia analyzes the role played by the philosophy of love in Simone de Beauvoir’s approach on the feminine oppression. Garcia claims that, while love seems to be a minor issue in The Second Sex, it is actually fundamental to answer the question “What is a woman”. Garcia posits that love is central to Beauvoir’s analysis on women’s oppression to the extent that it constitutes the ideological foundation of the objectification of women and it structures the ambiguities of the lived experiences of oppression. At the same time, Garcia suggests that, to Beauvoir, love can be a resource to female emancipation on the individual level.
Downloads
References
BAUER, Nancy (2001a). Being with as Being-against: Heidegger meets Hegel in The Second Sex. Continental Philosophy Review, vol. 34.
BAUER, Nancy (2001b). Simone de Beauvoir, Philosophy, and Feminism. New York City: Columbia University Press.
BEAUVOIR, Simone de (1983). Lettres à Sartre, Paris: Gallimard.
BEAUVOIR, Simone de (1986a). Le deuxième sexe, vol. I. Collection Folio essais. Paris: Gallimard.
BEAUVOIR, Simone de (1986b).Le deuxième sexe, vol. II. Collection Folio essais. Paris: Gallimard.
BEAUVOIR, Simone de (1997). Lettres à Nelson Algren. Un amour transatlantique (1947-1964). Paris: Gallimard.
BEAUVOIR, Simone de (2008). Cahiers de Jeunesse (1926-1930). Paris: Gallimard.
BEAUVOIR, Simone de (1960).La Force de l’âge.Paris, Gallimard.
BEAUVOIR, Simone de; BOST, Jacques-Laurent (2004). Correspondance croisée. Paris: Gallimard.
CLEARY, Skye (2017).“Simone de Beauvoir on Love”. In: GRAU, Christopher e SMUTS, Aaron (org).The Oxford Handbook of Philosophy of Love. Oxford: Oxford University Press.
HEINÄMAA, Sara (2006). “‘Through Desire and Love’: Simone de Beauvoir on the Possibilities of Sexual Desire”. In: MORTENSEN, Ellen. Sex, Breath, and Force. Sexual Difference in a Post-Feminist Era.Oxford: Lexington Books.
KIRKPATRICK, Kate (2019). Becoming Beauvoir: A Life. London: Bloomsbury.
KLAW, Barbara (1997). Desire, Ambiguity, and Contingent Love: Simone de Beauvoir, Sexuality, and Self-Creation, or What Good is Man Anyway?. Symposium: A Quarterly Journal in Modern Literatures, Vol. 51, Nº2.
LACAZE, Marguerite (2015). “The Time of Possible and Impossible Reciprocity: Love and Hate in Simone de Beauvoir”. In: ENNS, Diane; CALCAGNO, Antonio (org.). Thinking About Love: Essays in Contemporary Continental Philosophy. University Park: Pennsylvania State University Press.
LAMBLIN, Bianca (1993). Mémoires d’unejeune fille dérangée. Paris: Balland.
LUNDGREN-GOTHLIN, Eva (1991). Sexe et Existence. La philosophie de Simone de Beauvoir. Paris: Éditions Michalon.
MCMULLIN, Irene (2011). Love and Entitlement: Sartre and Beauvoir on the Nature of Jealousy. Hypatia, Vol. 26, Nº1.
PETTERSEN, Tove (2017). “Love According to Simone de Beauvoir” in HENGEHOLD, Laura; BAUER, Nancy (org.).A Companion to Simone de Beauvoir. Oxford: Wiley and Sons.
Downloads
Published
Issue
Section
License
Copyright (c) 2021 Política de direitos compartilhados
![Creative Commons License](http://i.creativecommons.org/l/by-nc-sa/4.0/88x31.png)
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Ao submeter seu trabalho à Plural, o autor concorda que: o envio de originais à revista implica autorização para publicação e divulgação, ficando acordado que não serão pagos direitos autorais de nenhuma espécie. Uma vez publicados os textos, a Plural se reserva todos os direitos autorais, inclusive os de tradução, permitindo sua posterior reprodução como transcrição e com devida citação de fonte. O conteúdo do periódico será disponibilizado com licença livre, Creative Commons - Atribuição NãoComercial- CompartilhaIgual –, o que quer dizer que os artigos podem ser adaptados, copiados e distribuídos, desde que o autor seja citado, que não se faça uso comercial da obra em questão e que sejam distribuídos sob a mesma licença (ver: http://www.creativecommons.org.br/).