Vol. 1 No. 1 (2015)

Published: 2015-11-24

Full Issue

PDF (Portuguese)

Editorial

Editorial

Marcos Câmara de Castro

8-13
- PDF (Portuguese)

Article

A Música em Ribeirão Preto: da Banda São Sebastião à USP-Filarmônica

Rubens Russomanno Ricciardi

14-42
- PDF (Portuguese)
Pour une histoire culturelle du snobisme musical

Didier Francfort

43-60
- PDF (French)
Popular and learned culture , canon and iconoclasm

Pedro Paulo A. Funari

61-81
- PDF
James Wood’s Rogósânti: aspects of the analysis in a first approach

Eliana C. M. G. Sulpicio, Ricardo Bologna

82-103
- PDF (Portuguese)
Set theory versus Neo-Riemannian Theory: Two interdependent approaches in the analysis of choros # 4 and # 7 of Villa-Lobos

Joel Miranda Bravo de Albuquerque, Paulo de Tarso Salles

104-126
- PDF (Portuguese)
Intertexual musical composition as an alternative to the XXI century avant-garde

Daniel Escudeiro

127-142
- PDF (Portuguese)
From signaller to a musical instrument: A Brief approach of trumpet transformations from its origins to the renaissance

Carlos Afonso Sulpício

143-160
- PDF (Portuguese)
Pixinguinha in full maturity: The arrangements for a “Brazilian Orchestra”

Ana Lúcia Ferreira Fontenele

161-175
- PDF (Portuguese)
“Compositores Latino-Americanos” (Latin American Composers): A Genuine alternative to subvert traditionalism in the classical music fiel

Eliana Monteiro da Silva, Amilcar Zani

176-192
- PDF
Art and Street: Rap and funk in Cidade Tiradentes/SP

Rose Satiko Gitirana Hikiji

193-207
- PDF (Portuguese)
Community of learners reflections on the development of creative thinking in music education processes

Marisa Fonterrada

208-223
- PDF (Portuguese)
Osesp anD Cu ltura Artística: two models

Ricardo Indig Teperman

224-238
- PDF (Portuguese)
A proposal for revising the Kulturindustrie of Adorno and Horkheimer from the praxeology of Austrian philosopher Ludwig von Mises

Rafael Ribeiro Santos

239-250
- PDF (Portuguese)
From Gramophone to live streaming: the evolution of the modes of listening to music - some implications

Rafael Alexandre da Silva

251-263
- PDF (Portuguese)
Hearing is listening?

Cristina Moura Emboaba da Costa Julião Camargo

264-277
- PDF (Portuguese)
The musical genre: between rhetorical discursivity and the labels of market

William Teixeira da Silva

278-291
- PDF (Portuguese)

Vol. 1 No. 1 (2015)

Full Issue

Editorial

Editorial

Article

A Música em Ribeirão Preto: da Banda São Sebastião à USP-Filarmônica

Pour une histoire culturelle du snobisme musical

Popular and learned culture , canon and iconoclasm

James Wood’s Rogósânti: aspects of the analysis in a first approach

Set theory versus Neo-Riemannian Theory: Two interdependent approaches in the analysis of choros # 4 and # 7 of Villa-Lobos

Intertexual musical composition as an alternative to the XXI century avant-garde

From signaller to a musical instrument: A Brief approach of trumpet transformations from its origins to the renaissance

Pixinguinha in full maturity: The arrangements for a “Brazilian Orchestra”

“Compositores Latino-Americanos” (Latin American Composers): A Genuine alternative to subvert traditionalism in the classical music fiel

Art and Street: Rap and funk in Cidade Tiradentes/SP

Community of learners reflections on the development of creative thinking in music education processes

Osesp anD Cu ltura Artística: two models

A proposal for revising the Kulturindustrie of Adorno and Horkheimer from the praxeology of Austrian philosopher Ludwig von Mises

From Gramophone to live streaming: the evolution of the modes of listening to music - some implications

Hearing is listening?

The musical genre: between rhetorical discursivity and the labels of market

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