Composição da paisagem sonora: ouvindo o real e o surreal
DOI:
https://doi.org/10.11606/rm.v23i2.217203Palavras-chave:
Interdisciplinar, paisagem sonora, TecnologiaResumo
São apresentadas abordagens criativas e interdisciplinares da paisagem sonora, apontando diversos desenhos composicionais com finalidades estéticas e científicas. Obras variadas e bem sucedidas ensinam o papel da tecnologia na sua aplicação artística ou científica. Este artigo discute diferentes abordagens composicionais relacionadas à paisagem sonora e seu uso tecnológico. O que cria um conjunto de trabalhos de especialistas que se conectam com múltiplas disciplinas, encontrando na paisagem sonora uma ferramenta de desenvolvimento como o reconhecimento auditivo da fauna. Como exemplo, você pode ver colaborações que tratam de censos de fauna entre biólogos especialistas e artistas especialistas em tecnologia. Tudo isso levou à redefinição de diferentes conceitos encontrados na disciplina de composição que trabalha com a paisagem sonora. Composições como Verdant de David Dunn ou Shadow de Max Richter ajudam-nos a definir “paisagem sonora surreal”. Essas composições combinam sons naturais com sons sintetizados. Por outro lado, obras de Murray Schafer e Bernie Krause exemplificam práticas composicionais durante a gravação de “paisagens sonoras naturais”, descritas na obra. No entanto, focamos nas diferentes possibilidades e estratégias implementadas por profissionais interessados em contribuir para diferentes desafios ambientais.
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