Conducting pedagogues: a dialogue with Maestro Aylton Escobar, act IV

Authors

  • Erickinson Lima Universidade de Aveiro. Centro de Investigação em Didática e Tecnologia na Formação de Formadores
  • André Oliveira Grupo de Estudos Avançados em Regência https://orcid.org/0000-0002-3922-2503

DOI:

https://doi.org/10.11606/rm.v24i2.226194

Keywords:

Aylton Escobar , Conducting Teaching and Learning , Conductors Pedagogues

Abstract

The interview series "Conducting Pedagogues" represents an initiative of significant importance in both academic and artistic realms, with its central purpose being to provide an immersion into the intricate dynamics of the conducting teaching and learning process. Its primary objective is to offer insights, with both practical and didactic-pedagogical nature, to young conductors in training, extracted from the life experiences of conducting professionals. It seeks to go beyond purely technical aspects by addressing a wide range of topics, encompassing not only musical matters but also extramusical ones such as administrative, logistical, and psychopedagogical aspects. In this context, the participation of the eminent Maestro Aylton Escobar plays a central role. With a rich and diverse trajectory as a Brazilian composer and conductor, Maestro Escobar has a vast experience and profound knowledge in the field of music. His participation in the interview series offers not only an opportunity to explore his contributions and achievements but also to benefit from his unique perspectives on conducting, as outlined in the academic scope of the present text.

Downloads

Download data is not yet available.

Author Biography

  • André Oliveira, Grupo de Estudos Avançados em Regência

    Doutor em regência (Université de Montréal). Coordenador do Grupo de Estudos Avançados em Regência. Desenvolve pesquisas em regência voltadas para a construção da performance musical.

References

BOULEZ, P. Penser la musique aujourd'hui. Paris: Éditions Gallimard, 1987.

CARPENTIER, Alejo. The Baroque and the Marvelous Real, in Magical Realism: Theory, History, Community, trans. by Tanya Huntington and Lois Parkinson Zamora. Durham & London: Duke University Press, 1995.

KENNEDY, M. Richard Strauss: Man, Musician, Enigma. Cambridge: Cambridge University Press, 2006.

La GRANGE, H.-L. Gustav Mahler, Vienna: Triumph and Disillusion (1904-1907). Oxford: OUP Oxford, 1995.

LEBRECHT, N. Book of Musical Anecdotes. New York: Free Press, 1985.

RYDING, E; PECHEFSKY, R. Bruno Walter: A World Elsewhere. New Haven: Yale University Press, 2008.

STRAUSS, R. Ten Golden Rules. In Reflections and Recollections. Cambridge: Cambridge University Press, 1949.

WEINGARTNER, F. On the Performance of Beethoven's Symphonies and Other Essays. Mineola, NY: Dover Publications, 2013.

Published

2024-12-16

Issue

Section

Entrevista

How to Cite

Lima, E., & Oliveira, A. (2024). Conducting pedagogues: a dialogue with Maestro Aylton Escobar, act IV. Revista Música, 24(2), 219-243. https://doi.org/10.11606/rm.v24i2.226194

Funding data