Russian Formalism through the lens of L. S. Vygotsky: influence and critic
DOI:
https://doi.org/10.11606/issn.2317-4765.rus.2020.172165Keywords:
L. S. Vygotsky, Russian Formalism, Psychology of Art, Literary Theory, Aesthetic ReactionAbstract
The paper presents a discussion of the ideas of Russian Formalism by Vygotsky exposed in the chapter “Art as device”, of the book The Psychology of art (1925). This is a critical response contemporaneous to the development of the aforementioned school. Despite the more intimate dialogue with Marxist approaches to the study of art in his work, Vygotsky makes a sophisticated criticism of the Formal School, one that enhances its potential and, at the same time, points to its contradictions and limitations without diminishing the originality of the approach to literary studies, which was so dear to Vygotsky.
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Fundação de Amparo à Pesquisa do Estado de São Paulo
Grant numbers 2015/17830-1