Russian Formalism through the lens of L. S. Vygotsky: influence and critic

Authors

  • Priscila Nascimento Marques Universidade de São Paulo

DOI:

https://doi.org/10.11606/issn.2317-4765.rus.2020.172165

Keywords:

L. S. Vygotsky, Russian Formalism, Psychology of Art, Literary Theory, Aesthetic Reaction

Abstract

The paper presents a discussion of the ideas of Russian Formalism by Vygotsky exposed in the chapter “Art as device”, of the book The Psychology of art (1925). This is a critical response contemporaneous to the development of the aforementioned school. Despite the more intimate dialogue with Marxist approaches to the study of art in his work, Vygotsky makes a sophisticated criticism of the Formal School, one that enhances its potential and, at the same time, points to its contradictions and limitations without diminishing the originality of the approach to literary studies, which was so dear to Vygotsky.

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Author Biography

  • Priscila Nascimento Marques, Universidade de São Paulo
    Mestre e doutora em Literatura e Cultura Russa pela Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo.

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Published

2020-09-25

Issue

Vol. 11 No. 16 (2020)

Section

Dossiê

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Copyright (c) 2020 Priscila Nascimento Marques

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How to Cite

Marques, P. N. (2020). Russian Formalism through the lens of L. S. Vygotsky: influence and critic. RUS (Sao Paulo), 11(16), 125-145. https://doi.org/10.11606/issn.2317-4765.rus.2020.172165

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