Authorship in the interstices of history, biography, reality and memory: Histoire(s) du Cinema and Cabra Marcado para Morrer

Authors

  • Cecília Sayad New York University

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2006.65637

Keywords:

Cinema, Authorship, Godard, Eduardo Coutinho.

Abstract

This essay contrasts Jean-Luc Godard's Histoire(s) du cinéma and Eduardo Coutinho's Cabra Marcado Para Morrer, examining how these works engage with the issue of film authorship. While Godard' s image stresses film's ability to convey an individual artist's worldview, Coutinho's on-screen presence functions less as a means to subjectivize the work than as a catalyst instigating certain reactions in the filmed "actors".

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Published

2006-12-23

Issue

Vol. 33 No. 26 (2006)

Section

Articles

License

Copyright (c) 2006 Cecília Sayad

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How to Cite

Authorship in the interstices of history, biography, reality and memory: Histoire(s) du Cinema and Cabra Marcado para Morrer. (2006). Significação: Journal of Audiovisual Culture, 33(26), 139-172. https://doi.org/10.11606/issn.2316-7114.sig.2006.65637