Afropolitan Lisbon: emerging geographies of Afro-descendant cosmopolitanism

Authors

DOI:

https://doi.org/10.11606/va.v26.n1.2025.219853

Keywords:

afropolitism, Luso-African literature, semi -periphery, Kalaf Epalanga, Djaimilia Pereira de Almeida

Abstract

This article explores the articulations of Afropolitanism in contemporary Portuguese literature, by authors of African descent, in terms of identity, aesthetics, ethics and politics. In the famous essay that popularised the term ‘Afropolitan,’ Taiye Selasi places this new ‘African of the world’ on the move between Africa and invariably at least one G7 city (Selasi, “Bye-Bye Babar” [2005]). This article aims to bring the notion of Afropolitanism developed by Selasi and shortly afterwards further developed by Achille Mbembe to the context of the European semi-periphery and Afro-descendant literature in Portuguese (Mbembe, “Afropolitanism” [2007]). On the one hand, I will show how writers of African descent in contemporary Portugal (Djaimilia Pereira de Almeida and Kalaf Epalanga) have recently reclaimed forms of Afropolitan identity affirmatively from Lisbon, de-centring the trajectories celebrated by Selasi and, consequently, bringing new geographies to African cosmopolitanism. On the other hand, I will argue that the Afropolitanism articulated by this group of writers, reformulated and situated in the post-colonial Lusophone context, has also responded to some of the criticisms levelled at the very notion of Afropolitan identity proposed by Selasi, making a relevant contribution to the contemporary debate on the ethical, aesthetic, and political dimensions of Afropolitanism.

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Author Biography

  • Fernando Beleza, Newcastle University

    Lecturer in Portuguese Studies at Newcastle University. His research focusses on modern and contemporary literatures of the Portuguese-speaking world, with an emphasis on Portuguese-speaking Africa and Portugal. He is particularly interested in: modernism(s); race, gender, and sexuality in Portuguese and Portuguese-speaking African literatures and film; migration/mobility and transnational imaginaries; Lusophone literatures and the environmental humanities. He has published work on race, gender, and sexuality in Portuguese modernism, including the volume Mário de Sá-Carneiro, a Cosmopolitan Modernist, co-edited with Simon Park (2017). More recently he has also published in the field of the environmental humanities, particularly on the work of the Portuguese poet Al Berto and the Brazilian filmmaker Rogerio Sganzerla. He is currently working on a research project entitled Lisbon's Black Modernism. This project explores the Black presence in Lisbon in the interwar period in relation to the literary and artistic worlds. In the 1920s Lisbon was the permanent or temporary home of intellectuals, writers, artists, students, and workers of African descent with links to Portugal's overseas empire. The contribution of this generation to modernism (literature, theatre and the visual arts), as well as the role of the anti-colonial and anti-racist affective communities they established remained yet to be fully explored. The project Lisbon's Black Modernism addresses aspects including anti-colonialism and anti-racism, cosmopolitan politics, race, sexuality and identity. It explores Lisbon's black modernism in a transnational, Atlantic, and European contexts.

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Published

2025-05-22

How to Cite

BELEZA, Fernando. Afropolitan Lisbon: emerging geographies of Afro-descendant cosmopolitanism. Via Atlântica, São Paulo, v. 26, n. 1, p. 522–561, 2025. DOI: 10.11606/va.v26.n1.2025.219853. Disponível em: https://revistas.usp.br/viaatlantica/article/view/219853. Acesso em: 12 feb. 2026.