Frederic Jameson and the trouble with the national allegories in the third world
DOI:
https://doi.org/10.11606/va.i40.162841Keywords:
Frederic Jameson, Wreck, World-literatureAbstract
This article revisit the thoughts of Fredric Jameson about the Third World Literature and the debate which follow towards his reflexions. We did a summary of the alterations and repairs that Jameson did of his thoughts during decades of critics and struggles. Finally, we present a hypothesis of lecture of the elaborations of the Warwick Research Collective (Wreck) as an answer to the critics that Jameson suffed and also as a continuation of his elaborations. Such the american critic as the collective of researchers represent with his teoretical contributions a way to debate the marxism and the area of postcolonial studies inside the literary field, starting from the Theory of the World-System and the Theory of Uneven and combined development, contributing to the problem of the World-Literatura.
Downloads
References
Ahmad, Aijaz. Jameson's Rhetoric of Otherness and the "National Allegory". Social Text, No. 17 (Autumn, 1987), pp. 3-25.
Bloch, Ernst. Nonsynchronism and the Obligation to Its Dialectics. New German Critique, N. 11 (Spring, 1977), pp. 22-38.
Buchanan, Ian. National allegory today: a return to Jameson. In. Buchanan, Ian; Irr,Caren (orgs.) On jameson: From postmodernism to globalization. New York: Suny Press, 2006. p. 173–188.
Jameson, Fredric. A singular modernity. London: Verso, 2012.
Jameson, Fredric. Afterword: On eurocentric Lacanians. International Journal of Zizek Studies, V. 13No. 1 (Autumn, 1987), pp. 161-168.
Jameson, Fredric. Allegory and ideology. London: Verso, 2019.
Jameson, Fredric. Fables of aggression: Wyndham Lewis, the modernist as fascist. London: Verso, 2008.
Jameson, Fredric. No magic, no metaphor. London Review of books, London, v.39. n.12, p.21-32. 2017.
Jameson, Fredric. Postmodernism, or, the cultural logic of late capitalism. Durham: Duke University press Durham, 1997.
Jameson, Fredric. The Political Unconscious: Narrative as socially symbolic act. London: Routledge, 2006.
Jameson, Fredric. Third-World Literature in the Era of Multinational Capitalism. Social Text, Durham, No. 15 (Autumn, 1986), pp. 65-88.
Jameson, Fredric. Signatures of the visible. London: Routledge, 2007.
Jameson, Fredric. Uma breve resposta. Novos Estudos. São Paulo, n.22, p.182-184, 1988.
Lazarus, Neil. Fredric Jameson on "Third-World Literature": A qualified defence.. In. Homes, Sean; Kellner,Douglas (orgs.) Fredric Jameson: a critical reader. New York: Palgrave Macmillan, 2004. p. 42–62.
Majumder, Auritro (2017): The Case for Peripheral Aesthetics: Fredric Jameson, the World-System and Cultures of Emancipation. Interventions. Houston, p.1-16,2017.
Trotsky, Leon. A história da Revolução Russa. 3v. Trad. de E. Huggins. Rio de Janeiro: Paz e terra, 1977.
Szeman, Imre. Who's afraid of National allegory? Jameson, Literary criticism, globalization. In. Buchanan, Ian; Irr,Caren (orgs.) On jameson: From postmodernism to globalization. New York: Suny Press, 2006. p. 189–212.
WReC (Warwick Research Collective). Combined and uneven development: Towards a new theory of World-Literature. Liverpool: Liverpool University press, 2015.
Downloads
Published
Issue
Section
License
Copyright (c) 2021 Wibsson Ribeiro Lopes

This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).