HOW MANY KNOTS MAKE A PLOT: RESONANCES OF THE THEATER OF THE OPPRESSED IN A CORDA, BY PEPETELA

Authors

  • Jorge Vicente Valentim Universidade Federal de São Carlos, São Carlos, São Paulo

DOI:

https://doi.org/10.11606/va.v0i22.51682

Keywords:

theatre of the opresed, literature and politics, Augusto Boal and Pepetela

Abstract

WRITTEN IN 1976, SUBSEQUENT TO HIS NOVELS MUANA PUÓ (1969), MAYOMBE (1971) AND AS AVENTURAS DE NGUNGA (1972), PEPETELA’S PLAY A CORDA BRINGS HALLMARKS OF THE LITERARY PROJECT OF ITS AUTHOR . MOVING FROM ROMANTIC FICTION TO THE DRAMATIC, PEPETELA BETS IN A REFLEXIVE THEATER, ESTABLISHING A DIALOGUE WITH BOTH THE IDEAS OF BRECHT, AND WITH THE THEATRE OF THE OPRESED, BY AUGUSTO BOAL.

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Published

2012-12-21

Issue

Vol. 13 No. 2 (2012): Diálogos em língua portuguesa – África e Brasil

Section

Dossiê 22: diálogos em língua portuguesa – África e Brasil

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How to Cite

VALENTIM, Jorge Vicente. HOW MANY KNOTS MAKE A PLOT: RESONANCES OF THE THEATER OF THE OPPRESSED IN A CORDA, BY PEPETELA. Via Atlântica, São Paulo, v. 13, n. 2, p. 71–85, 2012. DOI: 10.11606/va.v0i22.51682. Disponível em: https://revistas.usp.br/viaatlantica/article/view/51682.. Acesso em: 26 jun. 2024.