NÔMADE DE OLHAR ATENTO E TRAÇO CERTO: MÁRIO DE MIRANDA, A ARTE DA CARICATURA E OS DESENCONTROS ENTRE O MUNDO INDIANO E O OLHAR OCIDENTAL

Authors

  • Joana Passos Centro de Estudos Humanísticos da Universidade do Minho

DOI:

https://doi.org/10.11606/va.v0i19.55881

Keywords:

Mario de Miranda, caricature, cultural hybridism, postcolonial critique

Abstract

THE DISCUSSION OF THREE CARICATURES BY THE GOAN ARTIST MÁRIO DE MIRANDA WILL BE FRAMED BY A BRIEF HISTORY OF THE GENRE AND A THEORETICAL DISCUSSION OF ITS STRUCTURAL FEATURES. AS THE SELECTED CARICATURES FEATURE AN IRONIC COMPARISON BETWEEN EAST AND WEST AND HIGHLIGHT FORMS OF CONTAMINATION AND CULTURAL HYBRIDITY, MY ARGUMENT WILL USE POSTCOLONIAL THEORY AS ITS CRITICAL MODEL.

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Published

2011-06-30

Issue

Vol. 12 No. 1 (2011): Goa – literatura e cultura

Section

Dossiê 19: Goa – literatura e cultura

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How to Cite

PASSOS, Joana. NÔMADE DE OLHAR ATENTO E TRAÇO CERTO: MÁRIO DE MIRANDA, A ARTE DA CARICATURA E OS DESENCONTROS ENTRE O MUNDO INDIANO E O OLHAR OCIDENTAL. Via Atlântica, São Paulo, v. 12, n. 1, p. 57–74, 2011. DOI: 10.11606/va.v0i19.55881. Disponível em: https://revistas.usp.br/viaatlantica/article/view/55881.. Acesso em: 17 jul. 2024.