AS PERIFERIAS DO MUNDO. PASOLINI E O BRASIL
DOI:
https://doi.org/10.11606/va.v0i12.63930Keywords:
Pier Paolo Pasolini, Brazilian reception, Glauber Rocha, poetry, cinema, representation of the poetAbstract
BEGINNING WITH A BRIEF HISTORY OF THERECEPTION OF PASOLINI’S WORKS IN BRAZIL, THIS ARTICLEINTENDS TO JOIN TWO POEMS BY THEPOET, BOTH CENTERED IN THEPORTRAIT OF BOYS FROM ROMEAND RIO DEJANEIRO SUBURBS.
Downloads
Download data is not yet available.
Downloads
Published
2007-12-21
Issue
Section
Dossiê 12: Literatura, Cultura e Exclusão
License
Copyright (c) 2007 Maria Betânia Amoroso
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
How to Cite
AMOROSO, Maria Betânia. AS PERIFERIAS DO MUNDO. PASOLINI E O BRASIL. Via Atlântica, São Paulo, v. 8, n. 2, p. 79–94, 2007. DOI: 10.11606/va.v0i12.63930. Disponível em: https://revistas.usp.br/viaatlantica/article/view/63930.. Acesso em: 14 mar. 2025.
