Vol. 23 Núm. 1 (2021): ABEI Journal 23.1

ABEI Journal 23.1
General Issue
Editors: Mariana Bolfarine e Laura Izarra

Cover: “Decoration” (1923) by Maine Jellet. National Gallery of Ireland. The work is licensed under a Creative Commons Attribution 4.0 International License.

Publicado: 2022-01-14

Número completo

PDF (Inglés)

Introduction

Introduction

Mariana Bolfarine, Laura P.Z. Izarra

9-9
- PDF (Inglés)

Articles

Good and Evil Church: The Two Faces of Catholicism in Charles Maturin’s Melmoth the Wanderer

Charlie Jorge

13-24
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Céad Míle Fáilte – How the Land of a Thousand Welcomes Coped with Mass Immigration

Daniela Nicoletti Fávero

25-37
- PDF (Inglés)
Different Cultures, Different Identity Constructions: An analysis of the impacts of a conservative upbringing in the novel Stir-Fry

Esther Borges

39-51
- PDF (Inglés)
Heaney, Catholicism and the Hauntological: The Later Poetry

Ian Hickey

53-69
- PDF (Inglés)
The kaleidoscopic perspective in Colum McCann’s Let the Great World Spin (2009): trauma and transculturality

María del Rosario Casas Coelho

71-84
- PDF (Inglés)
“Necessary fantasy”: The Presence of Fantastic in John Banville’s Birchwood and Mefisto

Natália Bergamin Retamero

75-85
- PDF (Inglés)
Weaving a Textual Web: Homer, Joyce, and Molly Calypso Penelope Bloom

Patrick O‘Neill

97-108
- PDF (Inglés)

Cinema

The Evil is Inside the House and There is Nowhere to Run – Analysing the Representation of The Irish Family in The Canal (2014), By Ivan Kavanagh

Sanio Santos

111-132
- PDF (Inglés)

Voices from Brazil

Three Poems by Victoria Kennefick

Victoria Kennefick; Gisele Wolkoff

177-182
- PDF (Inglés)

Book Reviews

Caroline Moreira Eufrausino’s Anne Enright. Feminine Aesthetics: Writing, Mothering, Spiraling

María Amor Barros del Río

185-188
- PDF (Inglés)
Laura Izarra. O Trauma Cultural: Ressonâncias literárias Irlandesas/ Cultural Trauma: Irish Literary Resonances.

Mariana Bolfarine

189-192
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Dirce Waltrick do Amarante. Vitor Alevato do Amaral (Orgs.). Caetano W. Galindo: Entrevista.

Pedro Luís Sala Vieira

193-196
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Munira H. Mutran. A Cor e a Forma da Literatura Russa na Irlanda: Refrações.

Stephanie Schwerter

197-199
- PDF (Inglés)

Comparative Studies

Irish Critical Legacies: Seamus Deane and Terence Brown

Michael McAteer

135-150
- PDF (Inglés)
Two Artists, Two Portraits: Cohen/Joyce – A Study in Affinity

Nigel Hunter

151-159
- PDF (Inglés)
Politics of Disillusionment: Violence and Idealism in Liam O’Flaherty’s “Civil War” and Frank O’Connor’s “Guests of the Nation”

Rodrigo Moreira Pinto

161-174
- PDF (Inglés)

Vol. 23 Núm. 1 (2021): ABEI Journal 23.1

Número completo

Introduction

Introduction

Articles

Good and Evil Church: The Two Faces of Catholicism in Charles Maturin’s Melmoth the Wanderer

Céad Míle Fáilte – How the Land of a Thousand Welcomes Coped with Mass Immigration

Different Cultures, Different Identity Constructions: An analysis of the impacts of a conservative upbringing in the novel Stir-Fry

Heaney, Catholicism and the Hauntological: The Later Poetry

The kaleidoscopic perspective in Colum McCann’s Let the Great World Spin (2009): trauma and transculturality

“Necessary fantasy”: The Presence of Fantastic in John Banville’s Birchwood and Mefisto

Weaving a Textual Web: Homer, Joyce, and Molly Calypso Penelope Bloom

Cinema

The Evil is Inside the House and There is Nowhere to Run – Analysing the Representation of The Irish Family in The Canal (2014), By Ivan Kavanagh

Voices from Brazil

Three Poems by Victoria Kennefick

Book Reviews

Caroline Moreira Eufrausino’s Anne Enright. Feminine Aesthetics: Writing, Mothering, Spiraling

Laura Izarra. O Trauma Cultural: Ressonâncias literárias Irlandesas/ Cultural Trauma: Irish Literary Resonances.

Dirce Waltrick do Amarante. Vitor Alevato do Amaral (Orgs.). Caetano W. Galindo: Entrevista.

Munira H. Mutran. A Cor e a Forma da Literatura Russa na Irlanda: Refrações.

Comparative Studies

Irish Critical Legacies: Seamus Deane and Terence Brown

Two Artists, Two Portraits: Cohen/Joyce – A Study in Affinity

Politics of Disillusionment: Violence and Idealism in Liam O’Flaherty’s “Civil War” and Frank O’Connor’s “Guests of the Nation”

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