Samuel Beckett's television plays: means of production, literary genres, critical theory
DOI:
https://doi.org/10.11606/issn.2178-0447.ars.2016.119071Keywords:
Samuel Beckett, Critical Theory, television plays, literary genres, means of productionAbstract
The article raises some questions to a further investigation of Samuel Beckett’s late works, particularly his television plays produced by the Süddeutscher Rundfunk - SDR (today: Südwestrundfunk - SWR) between 1966 and 1985: Eh Joe, Geistertrio, ... Nur noch Gewölk …, Quadrat I & II, Nacht und Träume, Was Wo. It is suggested that the television plays might be approached by the technological development of the means of production as well as by the historicity of artistic genres. Both questions have their theoretical background in the aesthetic reflection of Adorno and Benjamin. From this perspective, the television plays resume the rupture of genres that Beckett was already dealing with in his prose and theatre works by configuring a new means of artistic production during his work with the German public television stationDownloads
Downloads
Published
Issue
Section
License
The responsibility for obtaining written permission to use in the articles materials protected by copyright law lies entirely with the author(s). Ars is not responsible for copyright breaches made by its collaborators.
The authors have the copyrights and grant the journal the right of the first publication, with the article licensed under the Creative Commons BY-CC License.
Licensees have the right to copy, distribute, display, and carry out the work and make derivative works from it, including with commercial purposes, granted that they give the due credit to the author or licensor, as specified by them.
Licensees compromise to inform the appropriate credit, provide a link to the license, and indicate if changes were made.
Respected the terms of the license, the licensors/authors are not allowed to revoke the conditions above mentioned.
After the publication of the articles, the authors keep the copyrights and the rights to republish the text exclusively in unpublished books and collections.