Women and light in the art of Umberto Boccioni

Authors

  • Vanessa Beatriz Bortulucce Universidade São Judas Tadeu

DOI:

https://doi.org/10.11606/issn.2178-0447.ars.2018.125951

Keywords:

Umberto Boccioni, futurism, Italian art

Abstract

This article intends to carry out a reflection on the poetics of Italian artist Umberto Boccioni (1882-1916), taking the subject of women in his pictorial and sculptural work as axis. This theme has a particular importance in the artist’s works, and was used in drawings and paintings of his pre-futuristic stage in order to understand the relationship among bodies, light and atmosphere. The specific representation of women at windows and balconies persisted in his futuristic years and enabled the expansion and deepening of his researches related to perception of light and its incidence on bodies, as well as the concept of “sculpture of environment”.

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Author Biography

  • Vanessa Beatriz Bortulucce, Universidade São Judas Tadeu

    Graduada em História (Unicamp, 1997), mestre em História da Arte e da Cultura (Unicamp, 2000), doutora em História Social (Unicamp, 2005). Possui pós-Doutorado pela FFLCH-USP (2013). Docente na Universidade São Judas Tadeu (São Paulo –SP).

Published

2018-04-13

Issue

Section

Articles

How to Cite

Bortulucce, V. B. (2018). Women and light in the art of Umberto Boccioni. ARS, 16(32), 139-156. https://doi.org/10.11606/issn.2178-0447.ars.2018.125951