Women and light in the art of Umberto Boccioni
DOI:
https://doi.org/10.11606/issn.2178-0447.ars.2018.125951Keywords:
Umberto Boccioni, futurism, Italian artAbstract
This article intends to carry out a reflection on the poetics of Italian artist Umberto Boccioni (1882-1916), taking the subject of women in his pictorial and sculptural work as axis. This theme has a particular importance in the artist’s works, and was used in drawings and paintings of his pre-futuristic stage in order to understand the relationship among bodies, light and atmosphere. The specific representation of women at windows and balconies persisted in his futuristic years and enabled the expansion and deepening of his researches related to perception of light and its incidence on bodies, as well as the concept of “sculpture of environment”.
Downloads
Downloads
Published
Issue
Section
License
The responsibility for obtaining written permission to use in the articles materials protected by copyright law lies entirely with the author(s). Ars is not responsible for copyright breaches made by its collaborators.
The authors have the copyrights and grant the journal the right of the first publication, with the article licensed under the Creative Commons BY-CC License.
Licensees have the right to copy, distribute, display, and carry out the work and make derivative works from it, including with commercial purposes, granted that they give the due credit to the author or licensor, as specified by them.
Licensees compromise to inform the appropriate credit, provide a link to the license, and indicate if changes were made.
Respected the terms of the license, the licensors/authors are not allowed to revoke the conditions above mentioned.
After the publication of the articles, the authors keep the copyrights and the rights to republish the text exclusively in unpublished books and collections.