Artwork expanded: the avant-gard and the allographic regime

Authors

  • Artur Freitas

DOI:

https://doi.org/10.11606/issn.2178-0447.ars.2013.64435

Keywords:

regimes of immanence, artwork, multiplicity, allographic and autographic, avant-garde

Abstract

This paper analyzes the “multiplicity” of the avant-garde works in accordance with approach of the “regimes of immanence” of Nelson Goodman and Gérard Genette. With this purpose, we understood the “multiple” artwork as an infiltration of the “allographic” regime within visual arts.

Downloads

Download data is not yet available.

Author Biography

  • Artur Freitas

    Artur Freitas é pesquisador em história da arte, professor doutor da Faculdade de Artes do Paraná da Universidade Estadual do Paraná (FAP/UNESPAR), professor do Programa de Pós-Graduação em História da Universidade Federal do Paraná (PGHIS/UFPR – Mestrado e Doutorado) e autor de Arte de guerrilha (Edusp, no prelo), Solar da gravura (Medusa, 2011) e Tony Camargo (Berlendis & Vertecchia, 2011).

Downloads

Published

2013-06-30

Issue

Vol. 11 No. 21 (2013)

Section

Multimedia

License

The responsibility for obtaining written permission to use in the articles materials protected by copyright law lies entirely with the author(s). Ars is not responsible for copyright breaches made by its collaborators.

The authors have the copyrights and grant the journal the right of the first publication, with the article licensed under the Creative Commons BY-CC License.

Licensees have the right to copy, distribute, display, and carry out the work and make derivative works from it, including with commercial purposes, granted that they give the due credit to the author or licensor, as specified by them.

Licensees compromise to inform the appropriate credit, provide a link to the license, and indicate if changes were made.

Respected the terms of the license, the licensors/authors are not allowed to revoke the conditions above mentioned.

After the publication of the articles, the authors keep the copyrights and the rights to republish the text exclusively in unpublished books and collections.

How to Cite

Freitas, A. (2013). Artwork expanded: the avant-gard and the allographic regime. ARS, 11(21), 18-31. https://doi.org/10.11606/issn.2178-0447.ars.2013.64435