The great world of invention

Authors

  • Celso Favaretto Universidade de São Paulo

DOI:

https://doi.org/10.11606/issn.2178-0447.ars.2017.134274

Keywords:

invention, sense of constructivism, experimental, environmental, beyond painting

Abstract

The text aims to characterize what Oiticica called “invention”, which was triggered by the discovery of the body in Parangolé and that conducted his experimental program until the end, beyond painting, through a set of propositions that implemented an opening process of the structures and the “sense of constructivism” in the constitution of the environmental art as an ethical-esthetic resizing of the transmutation of art.

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Author Biography

  • Celso Favaretto, Universidade de São Paulo

    Celso Favaretto é doutor em Filosofia e livre-docente em Educação. Professor-associado aposentado atuando nos programas de pós-graduação em Filosofia da Faculdade de Filosofia, Letras e Ciências Humanas [USP] e em Educação da Faculdade de Educação [USP]. Autor de Tropicália: alegoria alegria (1979) e de A invenção de Hélio Oiticica (1992).

Published

2017-10-27

Issue

Section

Articles