Lágrima-Pantera, a míssil: cinema Subterrânia
DOI:
https://doi.org/10.11606/issn.2178-0447.ars.2017.138522Keywords:
Lágrima-Pantera, Hélio Oiticica, Júlio Bressane, amateur cinema, experimental filmAbstract
This article proposes to discuss the specific context of the filmmaking process and analyzes sequences from the film Lágrima-Pantera, a míssil, by Júlio Bressane, seeking to understand the importance of the collaboration and previous works of Hélio Oiticica in its conception and making. It comes forth that such exchange was intertwined by a shared fondness for amateur and underground cinema, mostly for their appreciation for their scarcity of resources, the power of cinematographic record more as a practice than as a final product, and their marginal position regarding the artistic fields – at a moment when experimentation needed to overcome severe opposition in Brazil, turning artistic marginality not only into an option, but a need for independent artistic practices.
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